#8
Originally Posted by:
ChristopherSchlegel
Improvising & playing lead lines has 3 steps.
1 - Know the key signature. This means to know what scale to use for the chord progression.
2 - Target chord tones. This means to rhythmically emphasize the chords as they occur with your lines.
3 - Play melodic phrases.
So, it sounds like you are at step 1. Now it's time to think about how to use the scales to target chord tones & build a vocabulary of melodic phrases to use when you solo.
It's important to realize that knowing or playing scales is just the first step. It's only a pre-requisite to soloing. Now you need to use those scales to build a repertoire of licks. Of things to play when you solo.
Playing scales is a great warmup skill that will help you learn the basic physical techniques required to start learning licks. But playing licks & improvising requires taking those scale playing skills & combining it with learning a vocabulary. You have to learn set licks & patterns, then repeat them until they are automated, completely second nature. Then you can focus on counting after you've automated some licks.
You need to learn some licks & get them to the piont at which you can think, "Play lick 1!" & your hours of repetitious practice & muscle memory takes care of the motions while you are consciously focusing on counting. Then, you think, "Play lick 2" & so on.
The point is that the each lick is a self-contained unit, worked out completely or mostly in advance. And you don't have to think about each motion required. Your conscious focus is free to count or think in big picture units, like counting or thinking of which lick to do next & when to start it. You can start to mix & match your building block licks.
So when you listen to the guy in the YT vid (great player!), you'll see him doing this. He clearly states the chord prog (Dm / Am / Gm / Gm). Then he proceeds to play very simple chord tones in a similar rhythmic phrase.
He plays the same rhythmic grouping (creating a repeated motif) of a half-note, then 2 quarter notes using descending triads right on the chords that are happening.
a-f-d (5-3-1 of the D min chord when it happens)
g-e-c (7-5-3 of the A min cord when it happens)
f-d-b-flat (7-5-3 of the G min chord when it happens)
It immediately sounds like a musical phrase because he's playing a specific pattern: 3 descending chord tones in a repeated phrasing group over each chord. The he continues to build on that simple idea with more ideas that are notes from the D minor scale, but not just running the scale in an even rhythm. He's playing notes that target the chords as they occur & doing it in little rhythmic motifs, or statements.
With that in mind, have a look at these tutorials on building some licks that are the basis of learning a vocabulary.
Bread & Butter Blues 1
https://www.guitartricks.com/tutorial.php?input=1614
Major Notes In Minor Pentatonic
https://www.guitartricks.com/tutorial.php?input=217
And have a look at how I put it all together in my collection of tutorials on improvisation. If you haven't seen these yet, then I strongly encourage you to at least watch through the first three tutorials. They are very simple, but will give you an very basic understanding of the concept and help you to get started playing with melodic lines that target chord tones. Then you'll be ready for the last two that get more complex and involved.
https://www.guitartricks.com/collection/learning-to-improvise
Then you'll be on your way to having a vocbulary of licks to play! Hope that helps!